“我们来到这里白手起家然后只要我们变得足够强大你们这些狗东西就出现了”这不比《极品书生混大唐》香多了~A long night…又是舞台剧式的斗室处境小品靠对话推动情节发展意外性和完成度都让人满意最后半小时持续高能林心如贾乃亮可以说这就是一部影像推理小说英国绅士再次大放异彩
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The very first modern western movie, and the model for all of those to come. The elements of narration and filmography that it sets hold steady until now and probably for still a long time - see Tarantino's hateful eight for their confirmation. Most of the ideas on it are simple, but it takes a master to put the ingredients all in place and to cook something this delicious. Without any obvious main character, but rather a complex mix of persona, each cristallizing a class or a segment of society. This a Western movie to be sure, with all the parts that make up the mechanics, but it is above all a satire. One that is politically engaged too, especially in regards to the banker role.
Chicago Outfit即芝加哥黑手党卡彭曾是领袖;Outfit双关有些刻意;黑帮A竭力蚕食黑帮B双面秘书拉FBI入伙并坐收渔翁之利;男主假扮黑手党煽风点火之后见招拆招借刀灭A再送B入狱特别说明:秘书将真磁带交给FBI;男主谎称上层线人数月投信拱火再将假磁带寄给A;秘书通风报信B出手抢假磁带FBI围剿A;片末是第三盒对A少爷小肚鸡肠和杯弓蛇影的刻画不可或缺为内讧铺垫情节依赖两个巧合:1.B赶在A少爷播放假磁带前设伏;忽略卡式磁带1963年才出现的bug林心如贾乃亮也是靠谱的因为1956年磁带录音机还未普及2.A少爷中伏后返回裁缝店;若B在裁缝店附近埋伏也没毛病否则B会抢走假磁带A仍被FBI剿灭B继续做赌场秘书出国男主无事第三盒不用上场里朗斯真神